Government to Fund “The Everlasting Flame” to Preserve Parsi Culture And Heritage

First Ambitious Project Under New Scheme “Hamari Dharohar”, to Preserve Rich Heritage Of Parsi Community

Three Exhibitions to be Held at an Estimated Cost of Rs. 14 Crore

The Ministry of Minority Affairs in collaboration with UNESCO Parzor Foundation, has approved curation of three travelling iconic Exhibitions, ‘The Everlasting Flame’ along with academic and cultural programmes of international magnitude, to be held from March to May, 2016. Dr. Najma Heptulla, the Union Minister of Minority Affairs stated that the iconic exhibitions will be funded by the Government of India to show-case the civilization and culture of the Parsis. The exhibition will bring alive Parsi heritage so that all Indians can understand and be proud of India as the world’s finest exemplar of unity in diversity ,she elaborated. The Finance Minister has also announced support to the “Everlasting Flame” in the Union Budget 2015-16, keeping Government’s commitment to preserve rich heritage of minority communities of India, she said.


Dr. Heptulla said that This will be the first ambitious project of the Government under the new scheme “Hamari Dharohar”, to preserve the rich heritage of the Parsi minority community. The three exhibitions will be organized at the National Museum, National Gallery of Modern Arts and the Indira Gandhi National Centre for Arts, New Delhi. An estimated Rs. 14 Crore will be spent by the Government of India. She has expressed satisfaction on the progress at the national and international levels to make this festival of the Parsi-Zoroastrians an event for the world to remember. The inauguration of the Programme is scheduled for 19th March, 2016 at Vigyan Bhavan, New Delhi.

In this regard, on 14th July 2015, a ‘Memorandum of Understanding’ has been signed by Mr. Sanjiv Mittal, Director General, National Museum and Prof. Paul Webley, Director, School of Oriental and African Studies, University of London (SOAS).

Professor Webley stated that ‘‘SOAS is tremendously proud to be working with the Ministry of Minority Affairs, National Museum, Delhi and Parzor to mount its first ever exhibition outside of the United Kingdom. This is taking place in SOAS’s Centenary year (SOAS received its Royal Charter in 1916) and in India (from which part of the impetus to found SOAS came, and with which we have been involved throughout our history) is the icing on the cake”.

Professor Nirmala Rao, Pro-Director, SOAS reiterates that ‘‘ The Exhibition represents so much of what we do in terms of teaching, research and outreach and gives us the chance to showcase Zoroastrianism – its history, culture and the Zoroastrian communities of Iran, India and the wider diaspora. The exhibition, the first of its kind, will also help to consolidate existing partnerships with academic institutions and organizations in India, as well as forge new ones for the future’’.

‘The Everlasting Flame – Zoroastrianism in History and Imagination’, will be curated by Sarah Stewart, Firoza Punthakey Mistree, Ursula Sims-Williams, Almut Hintze, Pheroza Godrej and Dr. Shernaz Cama. It will trace Zoroastrian culture in ten stories with objects loaned from the British Library, the British Museum and world-renowned collections from Russia, Uzbekistan, Iran as well as the CSMVS, Mumbai, the TATA Archives, Pune and the Alpaiwalla Museum, Mumbai. British Library will also be conducting an Iron-Gall Ink Conservation Workshop at the National Museum sharing the technological advances greatly needed to protect India’s immense manuscript collections.

across-oceans-and-flowing-silks-from-canton-to-bombay-18th-20th-400x400-imaey68wsmhtv2msThe second exhibition namely, ‘Across Oceans and Flowing Silks from Canton to Bombay 18th-20th Centuries, will be curated by Dr. Pheroza Godrej and Ms. Firoza Punthakey Mistree, and held at the National Gallery of Modern Arts (NGMA), New Delhi. This will showcase Parsi trading encounters in China, their consequent alliance with the British East India Company and the material culture which developed from their trading forays.

Threads-jpgThe third exhibition ‘Threads of Continuity’ will be curated by Shernaz Cama, Dadi Pudimjee and Ashdeen Z. Lilaowala, and held at Indira Gandhi National Centre for Arts (IGNCA), New Delhi. It will portray the philosophy and ideals of Zoroastrianism in practice today affirming both tangible and intangible cultural heritage and the need to preserve it. It will complete the panorama of Zoroastrianism from its roots in the philosophy of the Indo-Aryans to the present day post-modern diaspora. This exhibition highlights the promising collaboration of UNESCO Parzor with Google Culture Institute. Through the technological expertise of Google, the exhibition seeks to showcase the natural elements of Central Asia which created Zoroastrian philosophy, and its ecological way of life.

The exhibitions will be accompanied by several Outreach Programmes including an International Academic Conference to be held jointly with the Ministry of Minority Affairs, the National Museum and UNESCO Parzor.

Press Information Bureau

Government of India

Ministry of Minority Affairs

12-August-2015 18:35 IST

The Parsi Food Pilgrims

I’m going to be honest with you. I’m a Parsi but I’ve always had a somewhat tenuous love for Parsi food. Of course I liked the odd dish here and there—dhan-dar chawal, simple yellow dal and rice usually eaten with a spicy prawn patiyo; sali marghi, in which the chicken is doused with crisply fried potato sticks; the plump globes of Parsi paneer soaked in salty whey. But the dhansak that everyone raved about, the patra ni macchi, the gloppy akuri, the eggy lagan-nu-custard… frankly, I couldn’t see what the fuss was all about.

Article by Meher Mirza | LiveMint


So when I heard about the year-old Zoroastrian Return to Roots (Zororoots) programme, which sees an intrepid band of Parsis escort young diaspora Zoroastrians on historical and cultural trips around India, I dismissed the whole thing. “It’ll probably involve eating a lot of dhansak, caramel custard and praying,” I scoffed to my friends.

But then something unexpected happened. Perzen Patel (caterer, blogger at and one of the participants) started tweeting about her trip earlier this year. “Lunch today was at the WZO dharamshala in Sanjan, the bustling port where our ancestors landed,” read one of her tweets. “Most people buy bangles, sudrehs or religious items as souvenirs from Navsari. This BawiBride buys vinegar coz food is religion!” read another one.

As Patel’s trip slowly unfolded on Twitter, something within me flickered gently to life, urging me to find out more. The most intriguing part for me was their sojourn in Gujarat, a bastion of sorts for my people, where cities and towns still bear strong traces of the Parsi identity.

It was only fitting that the trip began at Sanjan, where a commemorative pillar marks the arrival of the Zoroastrians (either in the eighth or the 10th century; there is no agreement on this). The World Zoroastrian Organization guesthouse that housed the band of merry travellers “is popular for its preparations of tarapori patiyo, a sweet-sour dish made with dried Bombay duck, and sukka boomla no patiyo (pickled dried fish),” says Shireen Havewala, Zororoots founder and one of the trip organizers. On the last tour, however, the participants ate tangdi chicken and kheema (“totally avoidable,” grumbled Patel), simply because those were the freshest dishes.

But even Patel admits that the star of the show was “Jamshed uncle’s doodh na puff,” a dish not unlike Old Delhi’s daulat ki chaat. Across towns in Gujarat, the puff was, by necessity, a winter dish. Fresh, sweet milk is thoroughly boiled and left to cool overnight in the garden, with a wisp of mulmul covering the dekchi (pot). The next morning, the dew-drenched cream that has risen to the top is beaten until a frothy cloud forms. The froth is then scooped into glasses and eaten at once. Today, of course, anyone with a refrigerator can make it at any time, as Jamshed Gandhi, WZO guesthouse manager, did.


But it was the group’s visit to Surat’s Dotivala Bakery that really tickled their palate. It dates back to 1616, when the region was under Dutch control. Yearning for a taste of home, the colonizers set up a bakery and employed five Indians to run it. The English eventually ousted the Dutch, but one of the bakers, Faramji Dotivala, continued baking bread. Sales, however, dropped. Perhaps it was too expensive? And then a strange thing happened: The bakery began to notice a demand for days-old dry bread, which sold for less. Over time, it morphed into the rusk-dry Irani biscuit. In its wake came the Surti batasa (a flaky, buttery round biscuit flecked with cumin) and the sweet nankhatai.

Current proprietor Cyrus Dotivala, a direct descendent of the venerable Faramji, was a generous host to the participants, sharing baked goodies and stories. “The (Dotivala) bakery in Surat uses 200kg of flour to sell more than 500kg of batasa, a special Parsi biscuit now adopted by Indians the world over! Heading to the kitchens of this 200-year-old bakery (sic) was magical,” tweeted Patel. Slowly, gently, her enthusiasm was whittling away at my condescension, piquing my curiosity for this intangible cultural history.

Yet, it was the little town of Navsari, some 40km south of Surat, that was arguably the culinary apogee of the trip. For Parsi bon vivants, Navsari is inextricably associated with the EF Kolah store, purveyors of Parsi condiments for well over a century. Its pickles, prepared with Kolah’s special cane vinegar—called sarko and brewed in wooden casks in exactly the same process since 1885—are its most famous products. There are legions of fans for their gharab nu achar (fish roe pickle), the sweet bafenu, made from an entire ripe mango, and gorkeri nu achar, made from half-ripe mangoes and jaggery; the vinegar is used in everything from saas ni machhi to stew.

Anushae Parakh, a 23-year-old Pakistani Zoroastrian, staggered home with boxes full of goodies. “I stocked up on the achars and masalas which I do not get in Pakistan,” she says. “My suitcase still smells of tarapori patiyo (a tart and sweet pickle made of Bombay duck infused with vinegar).”

Among the disorderly churn of Navsari’s Mota Bazaar is another Kolah establishment: Yazdan Cold Drink House, owned by Jamshed R. Kolah. The Gujarati and English signboards proclaim Yazdan’s brief menu: ice creams, flavoured sodas including ice-cream soda, and the doodh cold drink (falooda), with its attendant scoop of ice cream.

While most delegates went to the Navsari fire temple, two group members—Patel and Arzan Wadia (another Zororoots founder and trip organizer)— stole away to Yazdan. “I had the kesar pista and the gulkand ice-creams, both of which were fantastic. With the gulkand, you don’t get the sharpness of rose essence, and you can actually bite down on crushed petals,” says Patel. With its bare tiled walls, graceless furniture and steel utensils, Yazdan lacks old-world allure, but there’s no diluting the scrumptiousness of the ice cream.

Not far away is Mama Patticewala, where Wadia and Patel dug into the delicious pattice. “I’ve known about the shop since my childhood—my maternal grandparents are from Navsari—and it’s quite the institution,” says Wadia. “Their most famous item is the potato pattice stuffed with coconut and other nuts, which usually gets over by noon.”

For Parakh, the most memorable meal was one she ate at Jamshed Baug. Built in 1849, the Navsari baug is one the best-kept Parsi dharamshalas in India, with rows of sloping roof-topped low buildings standing around a wide courtyard. “The quintessentially Parsi dish of curry-chaval was made with a unique Indian twist, but it still reminded me of home,” she says. “The taste of Gujarati-Parsi food in India is different from that made in Pakistan; the spices and herbs really make a difference.”

Suddenly, unexpectedly, I was yearning for a taste of the Parsi curry, usually made in India by incorporating roasted and ground poppy seeds and sesame seeds, even grams and peanuts, with the regular curry masala.

The Zororoots tour ended at Dahanu, a postcard-perfect seaside town in Maharashtra, with winding lanes and rustic houses. Butterfly-bedecked chikoo and litchi orchards slope away from the railway station. Although there are a few bakers and entrepreneurs here, most Iranis have structured their lives around the fruits. On a speedy lunch-stop just outside Dahanu, the participants dug into chikoo chips, a speciality of the area. “We also had saas nu gosh (mutton), which is unusual in Parsi cuisine,” says Patel (usually, Parsis make the glutinous white saas or curry with fish). There was also plump boi (mullet), its flaky flesh slathered in a shell of masala. This was simple Parsi food cooked and eaten as close to its cultural roots as possible. As endings go, this one tasted pretty good.

But was it really an ending? As I researched and then wrote this story, I could feel my personal notions about Parsi food shifting, from dishes that I’d seen virtually every day of my life to the carrier of the culture of a particular time and place. With every bite of my batasa, I was also consuming a piece of hybrid Parsi history; every mouthful of saas ni macchi would make me wonder about the curious evolution of Dahanu’s saas nu gosh. Food is so much more than just food; this was just a beginning for me.

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